
I did a reading last week at a lovely little bookstore in Ringgold, Georgia, called Book and Barrel. I was thrilled by the invitation—I’m used to having only about ten minutes to speak at any given reading, but that night I would have thirty minutes all to myself. Thirty minutes! But, as I always told my dog Jada when I let her off leash, with freedom comes responsibility. Sure enough, once the thrill wore off, the anguish set in. I would need to consider the audience.
What, oh what, should I read? Something grim and desolate from my anorexia memoir? Something light and comedic that did not take away people’s will to live, from my book of Chattanooga Times Free Press columns? A brand new personal essay that took on both Alzheimer’s dementia and the philosophical underpinnings of yardwork and, weirdly, made one a referendum on the other?
The only thing I knew about the potential audience was that everyone would be of drinking age, as the bookstore serves wine and beer. Which is hardly a lot of information from which to draw a consensus on anything, let alone literary taste.
I decided to go with grim and desolate with a little juicy and funny thrown in. I brought three excerpts and gave the audience a brief overview of what each was about, and said they could tell me which they wanted to hear. I explained that I had done this years earlier, when I read at Jewish Federation, only I had given that audience just two choices: did they want to hear about sex, or did they want to hear about death?
“I was certain they would choose sex,” I said. “I should have known better. My people’s identity has been shaped by never-ending persecution. Of course they chose death.” I paused here for effect.
“And so I read about sex,” I said.
At this I expected robust laughter. Instead, a barely audible titter rippled across the room. Perhaps the audience was afraid I would enact this same bait-and switch scheme with them. Just in case, I reassured them I would go with whichever of the excerpts they chose.
They chose sex. And so I read about sex.
I should have read about death.
I’m not saying it didn’t go well. I remember reading somewhere that it’s not up to the writer to judge whether our writing does what we intend for it to do, that once we “let go” of it—by publishing or reading it aloud—it no longer belongs to us. Like children (the thinking goes), what we create comes through us, and ceases to be ours once it’s out in the world.
So all I can say for sure is, it seemed what I read didn’t quite resonate. There wasn’t laughter where I expected it. One guy walked out in the middle. It’s possible he was a transplant surgeon and got word of a long-awaited spleen, sure. But my guess is he just didn’t like what he was hearing, or possibly from whom he was hearing it.
All of which is ok. It’s great, even. Because the whole event got me thinking about the risk we take when we put ourselves out there in any way, whether it’s our writing or our painting or asking our boss for a raise or telling our partner we need to make some changes in our relationship. Going in, we can’t possibly know what the response will be, and so it’s a little like a high wire act, with the only safety net our own self-acceptance.
This means knowing that we will be fine, even if we bomb or think we have. As long as our ego is resilient, then regardless of what we think about our performance, when it’s over we know ourselves to be the same person—a little embarrassed maybe, if our sex reading made probably-not-a-surgeon leave because he was disgusted or bored—but no better and no worse than before we put ourselves out there.
And there is another part to this as well. As I was driving home after the bookstore reading, I started to think not just about the risk I had taken, but about the risk the audience had also taken.
They came to the bookstore that night not knowing what they might hear. Probably they hoped they would be entertained, or enlightened, or simply distracted from whatever worries they had. But they took the risk that they might instead be bored, or saddened, or offended.
So it was, on the drive back home, that I came to understand my one true role at the bookstore that night: I was simply there as a catalyst. Whatever the audience felt in response to my reading was between themselves and themselves. It was theirs to own, not mine. It always is.
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Dana Shavin is an award-winning humor columnist for the Chattanooga Times Free Press, and the author of a memoir, The Body Tourist, and of Finding the World: Thoughts on Life, Love, Home and Dogs, a collection of her most popular columns spanning twenty years. She is also the Literary Arts Program Coordinator for the Dalton Creative Arts Guild. More at Danashavin.com. Email her at [email protected].







